Saturday, July 10, 2010

Sample Example, pt. 2

I'm sure you've all seen this strange, but effective KIA commercial:


Who wouldn't take their sock monkey to a club with them? And a robot doing the robot is just perfectly post-modern.

The music used in that commercial is "How Ya Like Me Now?" by The Heavy. Who is "The Heavy" you ask? I have no idea, but I bet they're British - because British bands use samples of American music to make American-sounding music, right? (see, e.g. EMF, Big Audio Dynamite, Stereo MCs).


Different kind of 'British sampling'.

The reason C-Murder is bringing this to your attention is because of the too, too funky sample used in the song.


...or as they say in Italy, "Tutto funky!"

That sample is, "Let A Woman Be A Woman - Let A Man Be A Man" from 1969 by Dyke and The Blazers.

Let a Woman Be a Woman.mp3

Fantastic, isn't it? I think my favorite part (other than the break), is the dialog:

DYKE: "hey fellas!"
THE BLAZERS: "Yeah!"
DYKE: "Ya'll see anything wrong with Sally's walk?"
THE BLAZERS: "Naw!"
DYKE: "All right then...tell me 'bout it...hah!"

According to the little info available on the intehnets, three guys from Buffalo were in a band called The Blazers that backed up the "before-they-were-riding-on-a-Love-Train" O'Jays (also from Buffalo). Those three (Arlester "Dyke" Christian - bass, Alvester "Pig" Jacobs - guitar, and JV "No Nickname" Hunt - saxophone) were stranded in Phoenix after the O'Jays couldn't afford to get them back to Buffalo. As a result, the three hired an organist, a bassist (so Dyke switched to vocals), a drummer, and another saxophone player. They became Dyke and The Blazers and a made a big impact on the local Phoenix soul scene.


Any band with a guy named "Arlester" and another guy named "Alvester" has to be pretty good...

Dyke and The Blazers were well on their way to being a heavy-hitting soul/funk outfit of the 60s and 70s. Their first record, "Funky Broadway" (the one Wilson "Wicked" Pickett covered and scored a #1 hit with), is often thought to be the first time the word "funk" was used as the title to a record. From this, Dyke was makin' bank (since he was the writer), while his band was making about $100 a show. The rest of The Blazers eventually quit on Dyke, but it didn't matter because he started working with the guys that would become the Watts 103rd Street Rhythm Band (you know them from "Express Yourself")...and got even funkier.

The reason you may not have heard of Dyke and The Blazers by name, though, and the reason they didn't get famous, was because Dyke was shot and killed in an altercation in 1971, just a few short years after he got the band going in the right direction. A tragic end to a short climb. I personally think they would have been huge, since Dyke sounded a lot like Otis Redding (another tragic story of a life cut too short, too soon), and the band was as good as The JBs and Booker T. & the MGs over at Stax.

What you hear in "Let A Woman Be A Woman" are those Watts 103rd St. guys. In particular, you hear the funkiness of James Gadson, a sorely underrated, yet supremely funky drummer.


James Gadson - with a wig like that...this guy means business.

James Gadson went on to be the drummer for Bill Withers, played on "Dancin' Machine", "I Will Survive", "Love Hangover", and countless other amazing funky soul tracks.
And this guy is STILL working today!

Since we're talking about the greatness and obscurity of Dyke and The Blazers, allow me to share a couple other great tracks:

The Wobble.mp3 -
This tune is just a great slice of funk. According to what I can find, this may be Dyke's third drummer, Wardell "Baby Wayne" Peterson, coming after James Gadson.

Runaway People.mp3 -
This one is about, as the title indicates, people that runaway. Not sure if this was a big problem in the late 60s, but it was on Dyke's mind. My favorite part is probably the break, which was sampled here by Mr. Tracy Marrow (doing business as Ice-T) on "Microphone Contract" from his 1991 classic, "OG - Original Gangster":


You won't find a better use of the phrase, "You better be a good bullet-ducker".

So, in short, check out these tracks, in fact, if you Right-Click them, you can save them (FOR EDUCATIONAL PURPOSES ONLY). Just doing my part to share great music with the masses.
I would also recommend picking up "So Sharp!", a collection of their hits.



Until next time...